Monday, July 23, 2012

Pop Journal: The Dark Knight Rises

The Dark Knight Rises (Movie / 2012)

There are a lot of different ways you can look at The Dark knight Rises; On it's own, as part of a trilogy or as an adaptation of a comic book. I'll try and address each of these options as i have a lot of mixed feeling s about Christopher Nolans wrap up to his Dark Knight story.

If this movie was it's own enclosed vision it would be considered an epic feat. We have three distinct acts that work really well, if only the last act lags a little bit because the bat is not on the screen a whole lot. The ideas of  "falling only to rise again" are shown throughout. Bane serves as a good catalyst for the fall and rise of Batman, but it almost felt as if they had an idea for a story and then molded a member of Batman's rouge gallery to fit the bill. The villain could have easily been The Riddler, The Penguin or Mr. Freeze, that's how much of Bane's story is changed to fit the mold here.

It's on the merits of the previous argument that "Rises" feels like a complete retread of ideas put forward in the previous 2 films. This story already had Batman take a fall at the end of the Dark Knight, why does he need to be physically taken down in the second act of "Rises"? Joker put the fate of the city and it's people in the hands of regular joes and vicious inmates and they rose to the occasion and proved the Joker wrong, here Bane turns over the city and everything goes to hell. Also if you watch all three movies back to back you are so jared by the different visual styles and locations that you can't believe for a moment all of this takes place in the same "Gotham City" (In my personal opinion the fact that DC takes place in fictional cities is what will forever place it behind Marvels place in our world).

Lastly we have the comic coming to the real world. Nolan always wanted to make things seem as if it could happen right now in our world. So here we are given Anne Hathaway's Selina Kyle who is never referred to as Catwoman (but delivered my favorite performance) and a young detective who helps Batman only to have him revealed to be Robin at the end of the film (more on that later). Bane is a known terrorist who wears a mask because they say he has to. It all works, in fact it works a little to easily. I really wish he would have tried to adapt like he did with the Joker, taking a character that is bigger than life and presenting him in such a new light. Also I fell the reveal that Jospeh Gordon Levitts detectives real name is Robin is a great disservice to the film. Of course he's Robin, just come out and say it!

Maybe this film will age better with time, but the moment I left the theater I had some serious thoughts just bouncing around in my mind. It does give the trilogy a nice little ending, I think I am excited to see someone make a new film and try to embrace the mythos a little more like the recent Arkham games. One final thought: When a director continues to use the same actors across different movie worlds it get's confusing; ie: I expected Leonardo Decaprio to spring in and tell everyone they were dreaming (four actors were held over from Inception).

Sunday, July 8, 2012

Pop Journal: Breaking Bad; Season 1

Breaking Bad; Season 1 (TV / 2008)

It seems every summer I take the time to catch up on come TV shows that have fallen on the wayside. Two summers ago it was Supernatural, last year Sons of Anarchy and earlier this year I caught up on Mad Men. So far I am very happy I caught up with those shows as they are among my favorite shows on TV, and now Breaking Bad seems to be following the same mold.

For only being 7 episodes long, the first season of Walter Whites decent into the grips of lung cancer and eventual Meth cooking is really powerful TV. A lot of the gimmick of the show originally was seeing Bryan Cranston take on such a departure from his role on Malcolm in the Middle, but he gives a performance worthy of the Emmy's he has received since.

The drama is intense but there is still that small element of finding humor in this kind of despair that makes the show really work. A lot of big over the top things happen, but it never gets out of control like the second season on Nip/Tuck quickly relying on shock to produce drama. Here we have a wonderful character piece about a mans decent into darkness for the higher purpose of taking care of his family once the cancer has taken him. The creator does a superb job of framing it all in a way that questions Walt's true motives as he seems to be coming out of his shell, is he doing this for his family or will the power become his main goal? We shall see soon enough.

Wednesday, July 4, 2012

Pop Journal: The Amazing Spider-Man

The Amazing Spider-Man (Movie / 2012)

When Batman Begins came out back in 2005 I thought that it made Tim Burton's Batman of 1989 look silly in comparison. Now with only 10 years separating Sam Raimi's Spider-Man and this film the same can be said. Yes, this is pretty much the same story told 10 years ago, but it is amazingly (pun!) different in the best possible way.

This film really wants to seperate itself from the others by looking at Peter Parkers origin. We are treated with some very brief but powerful images of his youth that frame who he has become. In fact I would say that this is much more a character piece than it is an action movie, and that only hurts the "popcorn" factor a little. With the Lizard we get the same kind of origin as many other Spidey bad guys; in that they are actually pretty decent people who get turned crazy with power only to come around at the very end.

The film looks much sharper, and like that the "Orange Filter" was no longer used like it was in the first 3. Not to measure the previous trilogy by the 3rd film, but the finale in Amazing makes Spider-Man 3 look like Bamtan and Robin. Amazing really is what the title suggests and I really want to see them take on more core characters in the years to come.

Pop Journal: Micro

Micro; Michael Crichton & Richard Preston (Book / 2011)

It was kind of sad to finish Micro if only because it will be that last Crichton novel I ever read. The characters are well drawn and the action moves along at a near perfect pace in that way Crichton could only do it. The thing I love about books most is the ability they give me to color in between the lines. I love books when they provide just enough information for my imagination to run with. Terry Brooks and Crichton do this better than any I have read, thus making them my favorite authors.

This book feels a lot like Jurassic Park in the way it is presented, and that is not a bad thing. We are given a group of eight people thrust into a world each has great knowledge off, only to find they didn't know as much as they thought they did. I found the "science" behind the action very thought provoking and they painted it with enough realism that I believed this could really be happening.

There is a bit off a breakdown at the very end as they both leave stories right at the apex leaving the reader to finish on a high. There were some pretty obvious characters in the book and you know where the drama was going to be coming from, yet there were some very surprising twists. In the end it is a great novel and serves perfectly as a coda on Crichton's long resume.